By general consent the three major
styles of modern cookery are the
Chinese, Italian,
and French. Of these, the oldest,
purest, and perhaps most sophisticated
is the Chinese, which is built on
concepts defined by Confucius. The
character of Chinese cookery has been
shaped by the character of China itself.
In a land chronically overpopulated and
fuel-poor, a people concerned with good
eating had to use ingredients and
develop techniques unknown or ignored
elsewhere. In essence, Chinese cookery
is quick cookery. To prepare meals using
small quantities of flimsy, fast-burning
fuel, the Chinese developed the wok, a
round-bottomed utensil that circulates
heat quickly and evenly while enabling
its user to keep its contents in
constant motion. With the wok, and using
ingredients hacked into small, thin
morsels, the Chinese cook exposes the
maximum amount of food surface to heat
in the shortest possible time, often
simultaneously preparing a sauce in the
same work. Chinese cookery is typified
by lightness, freshness, variety, and
the calculated interplay of contrasting
textures, flavors, colors, and aromas.
Italian cookery, too,
was shaped to a considerable degree by
fuel shortages, in this case the result
of early deforestation. In northern
Europe in the Middle Ages, large roasts
were cooked on spits, and stews, soups,
and sauces were prepared in cauldrons.
Although not unknown in Italy, these
slower methods have not played
conspicuous roles in a land where beef
is relatively scarce but fish are
plentiful and where pale meats, in any
case, are preferred to red. Like the
Chinese, Italian cookery is essentially
quick cookery, with thin cuts of meat
exposed to heat for periods of short
duration, and with such relatively bland
grains as pasta (wheat), polenta (corn),
and risotto (rice) dependent on sauces
and garnishes for interest. Based
primarily on that of the Greeks,
Etruscans, and Saracens, Italian cookery
was refined to a high degree by the
early Renaissance, when it produced the
first truly modern European cuisine.
Although today it sets the standard for
all other Western cuisines, French
cookery was heavy, monotonous, and over
spiced until the arrival in France
(1533) of the Italian-born queen
Catherine de Médicis; with her came a
small army of Florentine cooks, bakers,
and confectioners, an assortment of
advanced kitchen gear, and a variety of
delicacies then unknown to the French.
In the following century François Pierre
de La Varenne, a great chef trained in
the French court, wrought a culinary
revolution by developing the first true
French sauces. La Varenne was followed
by a long line of French master chefs,
who in their times revolutionized
cooking procedures: Marie Antoine Carême,
the founder of la cuisine classique;
Auguste Escoffier, who modernized,
codifed, and publicized French cookery;
and, in the present era, a band of young
innovators who have based their
nouvelle cuisine in large part on
Oriental traditions 2,000 or more years
old, developing a new cooking style
characterized by lightness